sinalytangara.com-My ArtMy Arthttp://sinalytangara.com/content/2016/04/My-Art<p>Ever since my youth I feel deeply connected with nature.&nbsp; I used to spend my days between attending school and working on the fields of my father. I was especially fascinated by birds. Their freedom to go in any direction they desire still inspires me in my life and in my work.</p> <p>In my recent work &ldquo;Le Voyage&rdquo; birds play a leading role. Some of them have no heads and no wings. I live in a country where (social) injustice, corruption and misgovernment are daily realities. The city where I live must be one of the filthiest cities in the world. Africa is being scourged by epidemics, poverty, exploitation, natural disasters and suppression. It needs a very courageous bird to stay in the air when you live this reality. Still, it&rsquo;s very important not to lose your head or stick it in the ground and to keep spreading your wings.</p> <p><img style="display: block; margin-left: auto; margin-right: auto;" src="/media/n_42.jpg" alt="" /></p> <p>It&rsquo;s my task as an artist to hold up a mirror for fellow Africans. Can I go through life with my head held high? How do I relate to corruption and protectionism? What do I do to keep my environment clean and healthy? Do I treat my fellow human beings with respect? Do I dare to speak up when the leaders of my country forget the interest of their people? Do I have the courage to keep my hands clean? Of course I don&rsquo;t just address myself to Africa and Africans. Worldwide, on a higher or sometimes personal level, we tend to let our wings being taken away and rather lose our heads instead of holding it high and to reclaim our freedom.</p> <p>&nbsp;The last few years Iron has been the most important material I work with. Almost every day I roam the scrap-heaps of the Suguni Koura(the New Market) in Bamako. Old Iron is sold there. I let myself being inspired by the forms and structures of old iron and discarded iron objects. For me it&rsquo;s a living material. When I find something that speaks to me in silence, I don&rsquo;t rest before I&rsquo;ve given it a new life, a vibration, a soul. I assemble my artworks in a street workshop. When I succeed in giving those objects and parts with their hidden stories a new life and a new meaning, then I feel intensely satisfied.</p> <p align="right">Sinaly Tangara</p></img>